Mark Schwab’s newest film confronts a contemporary problem in queer media: commercialization, tokenization, and a growing aversion to risk.

This cat was born looking permanently unimpressed. Thanks to some wild fur markings, this cat appears to have thick eyebrows ...

Indeed, the movie itself is an expression of that same frustration, a satire in which a man’s on-the-air mental health crisis is exploited by his corporate employers for the sake of his skyrocketing ...

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